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Around The East End (22)

January 22, 2024
Watney Market, East London 2023.
Watney Market stall holder, East London 2008.
Shopping on Roman Road. East London 2008.
Delivery man on Commercial Road. East London 2006.
Shopkeeper in Stepney. East London 2006.
Conversation on Whitechapel Road. East London 2006.
Sunday market on Brick Lane. East London 2006.

To book a free studio and gallery visit to see Phil Maxwell’s work leave your contact details on the comment section below and we will be in touch.

Stripes

January 19, 2024

Viewing the organisation of a city next to the sea we witness the disappearance of the geometric certainties of urban architecture to the random fluctuations and movements of water. However we would be wrong to think that the sea lacks geometry and organisation. ‘Stripes’ explores the relationship between the land and the sea and the impact of human activity on the planet.

‘Stripes’ – mixed media on paper – 29.7x42cm. 2024.

To book a free studio and gallery visit to see Phil Maxwell’s work leave your contact details on the comment section below and we will be in touch.

Around Liverpool (48)

January 18, 2024
In Wavertree. Liverpool, april 2022.
Cyclist near Smithdown Road. Liverpool 2017.
Outside Central Station. Liverpool, April 2022.
Bus Stop on Wavertree High Street. Liverpool August 2022.
Women at a bus stop. Picton Road, Liverpool 2017.
Women at a bus stop. Picton Road, Liverpool 2017.
London Road. Liverpool 2017.
Cyclist on London Road. Liverpool 2024.
Man on a scooter on Picton Road. Liverpool 2022.
On the phone on London Road. Liverpool 2024.
Bootle, Liverpool 1980
Having a smoke in Bootle, Liverpool 1980.

To book a free studio and gallery visit to see Phil Maxwell’s work leave your contact details on the comment section below and we will be in touch.

Aerial Map

January 17, 2024

The descriptions that the mainstream media use to describe the war on Palestine (they never call it that) have a computer game fantasy element to them. The so called ‘surgical strikes’ of the Israeli air force are illustrated with video footage capturing an exploding missile which somehow miraculously avoids civilian casualties or as the military spin doctors are fond of calling it ‘collateral damage’. Despite huge efforts by the IDF to prevent communications coming out of Gaza (they regularly target telecommunications infrastructure) citizen journalists with mobile phones gather video of what is really happening on the ground. They do this at great risk to themselves and many have been murdered by the IDF.

The first casualty in war is always the truth but thanks to the bravery of Al Jazeera journalists and others the horror of the daily genocide in Gaza is there for all to see. The pioneering journalism of these seekers of truth eclipses the digital imagery from drones and makes BBC reporters giving scripted reports from their hotel balconies in Jerusalem look pathetic.

I’ve often thought that the drone footage released by the Israelis resembles the surface of the moon; unsurprising really when you consider that much of Gaza has been raised to the ground. I’ve tried to reflect this in ‘Aerial Map’ but this lunar surface of genocide also has rivers of blood.

‘Aerial Map’ – Mixed media on paper, 2024.

The Committee for the Protection of Journalists (CPJ) is investigating all reports of journalists and media workers killed, injured, or missing in the war, which has led to the deadliest period for journalists since CPJ began gathering data in 1992. Here is part of their report:

“As of January 17, 2024, CPJ’s preliminary investigations showed at least 83 journalists and media workers were among the more than 25,000 killed since the war began on October 7—with more than 24,000 Palestinian deaths in Gaza and the West Bank and 1,200 deaths in Israel.

The Israel Defense Forces (IDF) told Reuters and Agence France Press news agencies that it could not guarantee the safety of their journalists operating in the Gaza Strip, after they had sought assurances that their journalists would not be targeted by Israeli strikes, Reuters reported on October 27.

Journalists in Gaza face particularly?high?risks as they try to cover the conflict during the Israeli ground assault, including devastating Israeli airstrikes, disrupted communications, supply shortages, and extensive power outages.

As of January 17:

CPJ is also investigating numerous unconfirmed reports of other journalists being killed, missing, detained, hurt, or threatened, and of damage to media offices and journalists’ homes.

“CPJ emphasizes that journalists are civilians doing important work during times of crisis and must not be targeted by warring parties,” said Sherif Mansour, CPJ’s Middle East and North Africa program coordinator. “Journalists across the region are making great sacrifices to cover this heart-breaking conflict. Those in Gaza, in particular, have paid, and continue to pay, an unprecedented toll and face exponential threats. Many have lost colleagues, families, and media facilities, and have fled seeking safety when there is no safe haven or exit.”

World Streets (30)

January 12, 2024
Barcelona, 2005.
Running along Lime Street. Liverpool 2023.
Barcelona, 2005.
Market trader. Laos 2018.
Lodge Lane Liverpool 1982.
Fresh food Market. Laos 2018.
Crossing a river on a ferry in Sylhet. Bangladesh 1990s.
Market trader. Laos 2018.
Chittagong. Bangladesh 2008.
Cigarette kiosk in Dhaka. Bangladesh 1990s.

To book a free studio and gallery visit to see Phil Maxwell’s work leave your contact details on the comment section below and we will be in touch.

From The River To The Sea

January 9, 2024

As calls for a cease fire in Palestine echo around the world Gaza’s Health Ministry warns of a looming catastrophe for displaced Palestinians and a “triangle of death”: hunger, dehydration and disease.

The unprecedented suffering of the Palestinian people is difficult to comprehend in a world where the majority are against the actions of the Israeli apartheid state and their genociadal war against civilians. At one point in the UK some politicians were quoting the chant ‘From the river to the sea Palestine will be free’ as a phrase that was in some way illegal and an incitement to violence. I think of this poster as an incitement to Justice and Peace for the Palestinians.

‘From The River To The Sea’ – poster 2024.

Around The UK

January 8, 2024
On the phone. Wolverhampton 2017.
On the phone. Wolverhampton 2017.
In Buckie. Scotland, August 2017.
In Buckie. Scotland, August 2017.
Busker on Lime Street. Liverpool, February 2020.
Homeless on London Road. Liverpool April 2023.
Taking a break on Dale Street. Liverpool 2019.
Outside Aldgate East tube station. East London 1986.
Hanbury Street, East London 2016.
bike
View from the top of a bus on Bethnal Green Road. East London, July 2016.
The Richmond pub. Liverpool 2019.
To book a free studio and gallery visit to see Phil Maxwell’s work leave your contact details on the comment section below and we will be in touch.