Closing Sequence For Peace

September 14, 2012

tags: Bangalore, city, Globalisation, India, Lights, phil maxwell, photoblog, street photography, urban, War

A series of shots like the one below formed the closing sequence of our anti war film ‘Not In Our Name‘. Shot in Bangalore the garish lights of the road are diminished once they bounce into the Baby Taxi to form a warm and soft illumination: perhaps to suggest that wars can be averted through human endeavour …

Inside a Baby Taxi. Bangalore India 2007

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LINKS
linktr.ee/theartofresistance
Vive la République - Not The Jubilee Art Print 2022
'Discobolus Mobile' after Myron. 2021.
'Earth On Fire'. Photomontage, March 2022.
'Stop War'. Photomontage, March 2022.
London in a rice field. Photomontage 2011.
Flowers from the garden. Wavertree Liverpool 2017.
'Not My King' - Photomontage 2023.
Photomontage 2010
Photomontage 2010
The River that flows from Dhaka to London. Photomontage 2012
'Mother And Child In Laos'. Mixed media on canvas 80cm x 80cm. 2023.
Menkawara,his wife & on the phone in Marrakech. Mixed media on card. July 2020.
Resting in Brick Lane. Mixed media on card. June 2020.
'Walking In A New World' (detail). Mixed media 2023.
'Spitalfields'. Mixed media on card. April 2020.
'Trade Union Rights Are Human Rights'. Mixed media on canvas (40x50cm).
'In the beginning'. Mixed media, October 2020.
'Protest'. Mixed media measuring 210 x 297 mm (A4) on 350gm card.
Woman smoking in Cheshire Street. Mixed media on canvas (20cm x 38cm).
Tony Benn (mixed media) 1995
Dead Dandelion, 2017.
Portrait of Hazuan Hashim. Mixed media on card. August 2020.
Portrait of Hazuan Hashim. Mixed media on card (210 x 297 mm).
Photomontage combining a Leonardo Davinci painting with a contemporary image. 2022.
Bridge, Sky & poster. Brick Lane, London 2002

Photographs from Phil Maxwell's archive

Closing Sequence For Peace

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