Contact Sheets (2)
My use of contact sheets was discussed in an earlier blog. The three selected images are all from the East End of London.
Evidently this photograph (above) was taken with the camera ‘upside down’.
The Making of Sandra (part 1)
As part of my continuing collaboration with artist Ben Slow I was able to photograph a new piece of work in the making: a painting of the legendary queen of Spitalfields Sandra Esqulant. Using a photograph I took on the 25th anniversary of Sandra’s pub Ben is creating an urban shrine to Sandra just off Brick Lane and down the Road from her pub in Hanbury Street. The new work is opposite another painting by Ben.
Ben prepared the surface (below) for his painting meticulously. Until now I didn’t realise the amount of preparation that went into the making of street art.
Ben’s paintings seem to grow out of their walls and leap out at you as you pass buy. His careful application of inks and other materials causes drips which give his work an organic feel. People seem to find it difficult to just walk buy and are forced to stop by the voices in the painting.
Christchurch and Tower 42
Christchurch dominated the skyline looking East from Whitechapel before the City began to build upwards. The appearance of Tower 42 (below) signalled the upwards build of the City which dwarfed Spitalfields church.






















































