Room With A View
The window (below) has seen many changes over the past 30 years. What was once a wasteland is now full of housing and clean streets. The wasteland drew car boot sales to it at the weekend; though lots of the ‘car boots’ were without cars.
The most recent view (below) hints at the changes from the ‘wasteland’ in the following photographs.
Q & A after the film
Fundamental for Life and Health
Water is fundamental for life and health. The human right to water is indispensable for leading a healthy life in human dignity. It is a pre-requisite to the realization of all other human rights. This observation of the United Nations Committee on Economic, Cultural and Social Rights is borne out by much of what we see around us. Unfortunately water resources in some parts of the world are so depleted that a barrel of water can be worth as much as a barrel of oil.
Wilton’s Music Hall Packed for From Cable Street to Brick Lane!
As artists in residence at Wilton’s Music Hall we were delighted to see the ‘house’ was full last night for the preview of ‘From Cable Street to Brick Lane’! 75 years to the day the slogan ‘They Shall Not Pass’ became a reality.
Thanks to everyone that came along and shared views about the film. We are now well placed to finish From Cable Street to Brick Lane in time for the East End Film Festival in 2012. Thanks to Amiri Shongeeth for the photographs of the after party and Q&A …..

Roger Mills, Phil Maxwell and Hazuan Hashim. Wilton's London 2011
There will be more of this tomorrow together with some photographs of ‘the making of…..’
Riveting Bridge
Liberty Bridge (below) was built for the Millenium World Exhibition in 1896. Damaged during the second world war it has since been repaired to its former glory. Construction was started in June 1894. It was inaugurated by Francis Joseph I, who hammered in the last silver rivet on the Pest side on 4 October 1896, at the festivities held for the thousand-year jubilee of Hungary.
I was unable to find the silver rivet (perhaps it was painted over during communist times). The mass of rivets holding the bridge together was a visual display of the strength of the structure. Rivets are everywhere on this bridge and thankfully there has been no attempt to disguise them.
I found it impossible not to touch and swirl my hands around the rivets. They are all the same size but each has its own identity owing to its proximity to other rivets and the coating of paint which has been spread lavishly over the years.
The side of the bridge acts as a graceful Art Nouveau window to the river Danube.
There are plenty of tags and graffiti but they will fade and disappear leaving the rivets amused but unmoved.




















































