Retrospective: Liverpool Bicycle
For a few years in the late 70’s and early 80’s vast tracts of former housing land lay deserted and abandoned. I say abandoned because I remember many of the small terraced houses appeared to have been vacated in a rush as if the occupants were escaping some kind of danger. No doubt when I was in these lonely time capsules my mind was working overtime. I remember cupboards with bread and milk and discarded items of clothing. A number of kitchens had a plastic glove left on a window sil next to the sink. All of these items appeared as totems of a world that had moved on. However my exploration of these empty places was not In Memoriam. It felt as if the street had just gone away to Rhyll for the holiday fortnight.
The cyclist appeared as if from nowhere to complete the composition. He breaths life, hope and a sense of freedom into the arid wasteland his bicycle easily negotiates. No matter what was waiting for him at home or in school nothing could compare to the euphoria from his temporary domination of the landscape.
This exhibition Lambda C Type image is printed on paper measuring 59cm x 59cm and mounted on 5mm foam board. As an exhibition single print it is for sale at £200 (with a certificate of authentication signed by the photographer). For purchase please contact Rossana at mercaditoproductions@hotmail.com
Retrospective: Liverpool Home
The boy in this photograph followed me from the top of the road to the point where I took this photograph of him. At the time I recall studying the work of Humphrey Spender who was involved in the Mass Observation Project.
Based in Bolton, a team of paid investigators went into a variety of public situations: meetings, religious occasions, sporting and leisure activities, in the street and at work, and recorded people’s behaviour and conversation in as much detail as possible. Humphrey Spender supplemented the more traditional work of diarists with a photographic study. I was struck by Spender’s ability to capture scenes apparently without being seen. His ‘fly on the wall’ approach gave his images an authenticity that eclipsed any photograph that hinted at the presence of the photographer. In the coming decades I began to develop a range of techniques that would enable me to get to the heart of a composition without the people in it being aware of my photographic intent. The photograph of the boy (below) benefits from a more ‘formal’ technique anabling full use of depth of field and a few vauable seconds to compose the subject within the context of the surrounding Council Estate and the ‘Neo-Gothic’ Anglican Cathedral.
The photograph of the small boy (above 1976) was taken with his full knowledge. Indeed he pestered me for a minute or so as I walked down the road. Wearing my camera around my neck would normally mean that children would ask you to take their photograph!
This exhibition Lambda C Type image is printed on paper measuring 59cm x 59cm. For sale at £200 (with a certificate of authentication signed by the photographer). For purchase please contact Rossana at mercaditoproductions@hotmail.com
Room With A View
The window (below) has seen many changes over the past 30 years. What was once a wasteland is now full of housing and clean streets. The wasteland drew car boot sales to it at the weekend; though lots of the ‘car boots’ were without cars.
The most recent view (below) hints at the changes from the ‘wasteland’ in the following photographs.
Q & A after the film
Fundamental for Life and Health
Water is fundamental for life and health. The human right to water is indispensable for leading a healthy life in human dignity. It is a pre-requisite to the realization of all other human rights. This observation of the United Nations Committee on Economic, Cultural and Social Rights is borne out by much of what we see around us. Unfortunately water resources in some parts of the world are so depleted that a barrel of water can be worth as much as a barrel of oil.







































