Picture Research For Our Film From Cable Street to Brick Lane
Following an interview of Beatie Orwell for our film ‘From Cable Street to Brick Lane‘ I remembered her sadness when recounting what the Nazis did to the Jews. In turn this reminded me of an interview with Leon Kuhn (Not In Our Name) when he spoke of the death of his great grandfather at the hands of Nazis butchers. Leon’s description was accompanied on screen with images of tree branches. I was reminded then of two photographs I had taken in Berlin in 2002 both of which featured trees as well as the buildings photographed.
When I start to look for something in my archive I often end up going off at a tangent. This can be terribly frustrating in terms of the amount of time ‘wasted’. In other ways it can also reveal links between images that hitherto were in the sub conscious ….
The Lift in Denning Point Commercial Street
It is strange how certain events or even words can raise a memory which can push you to look for something. Yesterday my partner Hazuan Hashim was editing part of our film from ‘Cable Street to Brick Lane’. I was busy looking for suitable stills for a different part of the film and happily listening to an interview Hazuan was reviewing of the Cable Street veteran Max Levitas.
Max himself was reviewing rare film of the police confronting anti fascists with horses and truncheons. Max said something like “the police were trying to move us onto Commercial Street.” For some reason I was prompted to dig out a photo collage I produced around two years ago. The work was basically a photograph of board, with graffiti, protecting a new lift in Denning Point Commercial Street during a refurbishment programme. On the photograph I had positioned the face of a man called Lawrence who is probably nearly the same age as Max.
When I used to print in my darkroom I always ‘guessed’ the time for exposure and would do a ‘test print’ on a piece of paper carrying the image of one of the faces from the negative. Above we see a test print of the face of Lawrence who was destined to star a few years after I took his photograph in our film Sandra.







































