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Invasion?

November 20, 2022
‘Invasion’, photomontage after Dieric Bouts.

You would be right in thinking that the last successful invasion of the UK was in 1066. Home secretary Suella Braverman thinks another invasion is underway. With reference to refugees seeking asylum in the UK she recently told the House of Commons that the country was being subjected to an “invasion”. This was the day after a man with links to the far right threw firebombs at a Dover immigration centre. After an investigation, counter-terrorism police announced they had found evidence that the attack was motivated by an “extreme rightwing” terrorist ideology.

Apparently the home secretary’s first priority is to protect the security of the UK and the safety of its citizens. However her use of language stirs up hostility and racism towards refugees and others.

As well as harbouring fantasies about “invasion” she used her speech at the Tory Party conference to stir up hostility: “I would love to be having a front page of The Telegraph with a plane taking off to Rwanda. That’s my dream, that’s my dream, it’s my obsession,” Braverman said. She added that she would like to see the flight before Christmas. Braverman then used her ­conference speech to promise a blanket ban on anyone who enters Britain “irregularly” – ­including on small boats across the Channel. 

People fleeing war, poverty and climate chaos are very unlikely to use anything but “irregular” methods given the lack of official ways to come to Britain. Using government figures the Refugee Council points out that 76% of initial asylum decisions made in the year to June 2022 have been grants of protection, meaning they have been awarded refugee status or humanitarian protection. Currently there are 117,945 awaiting an initial decision about their status.

The Government’s attitude towards refugees is barbaric. This photomontage “Invasion” challenges the untruthful rhetoric directed at incredibly vulnerable people.

I’ve used a number of different images including the tender and powerful painting of the ‘Virgin and Child’ by the 15th century Dutch painter Dieric Bouts. The beach was photographed in Deal. Thanks to activist Hazuan Hashim for displaying the message welcoming refugees!

You can purchase a copy of this print here: https://etsy.me/3Gtww9P

Cycling, Pushing & Pulling

November 17, 2022
Woman recycling cardboard with her bike. Hanoi, Vietnam 2019.
Woman on a bicycle, Wapping 2010
Woman on a bicycle, Wapping 2010.
Man pushing trolley on Brick Lane, 2010
Man pushing trolley on Brick Lane. East London, 2010.
Man with a pushchair. Watney Market. East London 2017.
Man with a pushchair. Watney Market. East London 2017.
Transporting goods in India, 2007.

You can purchase photographs and other art by Phil Maxwell here: https://theartofresistance.bigcartel.com/products

Books, Petitions & Conversation

November 15, 2022
Reading a book in Whitechapel station. East London, 2002.
Signing a petition on Brick Lane against the war in Iraq. East London 2002.
Conversation on Brick Lane. East London 2002.
graffiti
Fashion Street. East London 2002.
Brick Lane. East London 2002.

You can purchase photographs and other art by Phil Maxwell here: https://theartofresistance.bigcartel.com/products

Around Liverpool (32)

November 12, 2022
Wearing headphobes on Wavertree High Street. Liverpool, November 2022.
Conversation in Church Street. Liverpool, November 2022.
Homeless. Liverpool, November 2022.
Digital advertising in Lime Street. Liverpool, November 2022.
Wavertree High Street. Liverpool, November 2022.
On the phone, Wavertree High Street. Liverpool, November 2022.
Delivery cyclist in Church Street. Liverpool, November 2022.
Church Street. Liverpool, November 2022.
Wavertree High Street. Liverpool, November 2022.

You can purchase photographs and other art by Phil Maxwell here: https://theartofresistance.bigcartel.com/products

‘Looking East’. Mixed media collage

October 27, 2022
‘Looking East’. Mixed Media collage. 2022.
‘Looking East’. Mixed Media collage. 2022. Signed by the artist.

The mixed media collage (above) is based on the urban landscape of the City of London viewed from Whitechapel. The neat graphic sky line (2019) contrasts with the well worn coat of the smoking woman who appeared on the front cover of my book ‘Old Ladies of Whitechapel’ – published by Cafe Royal books. I photographed her in 1982 walking down Cheshire Street on a Sunday morning.

Two different eras are frozen in time. The woman can be viewed as a dogged survivor of a continuously shifting urban landscape that cares little for the inhabitants of the East End and more for the financial prowess of the City.

You can purchase this unique work here: etsy.me/3Da1jVG